This newly constructed residence is one of few contemporary designs in the area. It is distinctly organized with one main axis or spine that runs along the whole structure. The center of the building features the public areas with a shed roof over a long gallery for art. The open plan emphasizes space usage and contemporary living. A sculptural glass-and-steel fireplace separates the living area from the dining room. The far north-end block serves as the master bedroom and bath. The two-bedroom guest quarters are at the opposing end, and adjacent to a three-car garage. An exposed rafter system brings stability to the metal roof, while the walls of the house are plaster and glass.

Montecito Residence

January 31st, 2011
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This house is on a 10 acre parcel in Toro Canyon among natural groves of oak and eucalyptus trees. A seasonal creek to the east and Toro Canyon Creek to the west flanks the secluded building site. The house is approached via a narrow, tree covered drive, which ends at a small clearing and presenting the ocean and islands in the distance. The residence is sited on axis with the canyon and views beyond. The building parti presents three one story, wedge shaped volumes; a carport /service volume to the north, a public living volume to the south west and a private sleeping volume to the south east. The volume enclosing the carport intersects the living volume and is offset to showcase the glass entry pavilion separating the volumes.

Constructed of laminated glass beams and roof panels, with glass doors, this entry space is conceptualized as an exterior circulation connection between the private and public wings of the house. The exterior walls are constructed of 12” thick insulated cast-in-place self consolidating concrete, and a metal roof helps to provide maximum fire resistance in this secluded canyon. Interior floors are lightweight concrete. The exposed concrete is warmed with doors and windows of natural mahogany and interior millwork and ceilings of natural eucalyptus. The main floor of 4,700 square feet includes a studio, family room, kitchen, dining room, living room, office and master suite. A lower floor of 2800 square feet includes guest rooms and an exercise space and mechanical space.

Toro Canyon Residence

January 30th, 2011
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This open, loft-like auxiliary building offers an architectural experience that is distinct and separate from the main residence on the property. The building is sited to restrict views of the main house and to allow the structure to take advantage of sweeping vistas from its oceanfront bluff site, situated between the Santa Ynez Mountains and the Pacific Ocean. Spirited tectonics and an efficient plan give the structure its distinct architectural identity—a utilitarian object that is in dialogue with its site and reflective of its function.

The studio building’s design sustains a subtle tension between light-industrial references and the refined details of a custom residence. The thin roof is supported by exposed, pre-fabricated truss joists and is attached imperceptibly to a tall shear wall. The roof spans and shelters the stacked programmatic boxes of ground-floor guest apartment and second-floor art studio. Copper roof flashing and drainage downspout lend domestic finery.

The taller shear wall, which is wrapped in redwood shingles – suggesting a relationship to the main house—anchors the structure, allowing the roof and opposing wall, which intersect asymmetrically, to appear as if they are about to float away from their solid, rectilinear counterparts.

The exterior wall is constructed of the same pre-fabricated joists, positioned vertically and covered in Thermoclear, forming a translucent skin that radiates daylight into the spaces. At night, when lit by interior-mounted lighting, it exudes a glow from within, giving the impression of a Japanese lantern.

SB Artists Studio

January 29th, 2011
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A “contemporary house with a Mexican flavor” is what the art-collecting client requested. Shubin + Donaldson responded with a contextual mélange of multiple orthogonal volumes that are monumental to reflect a refined Mexican spirit in shape as well as in material. The solidity of forms on one side of the home speaks to the Mexican flavor of the structure, while the abundance of glazing on the other side relates to the physical context of the coastal site.

The rough plaster of the 18-inch-thick walls—the same finish seen often in Mexico—adds texture and depth, and softens the monumentality of the forms. Although in the vein of Mexican architecture, this home departs in the choice of coloration, with a decidedly neutral, earthy pigment. Contrasting with the rough forms is the limestone-clad entry volume that appears to slice through the plaster volumes. The entry separates the home’s public and private spaces.

Responding to the site, Shubin + Donaldson created a constant interplay between indoor and outdoor in a continual effort to frame views and compose angles. Upon entering the building, beyond the play of forms, is the surprise view through the entry toward the negative-edge reflecting pool and out to the ocean beyond. Large, floor-to-ceiling windows wrap around a fountain, which also brings light into the home. One can go from the living room to dining room across the stepping stones in the central reflecting pool.

An indoor swimming pool is accessed down the stairs from the master suite through a curved corridor that sports a rare hint of vibrant color. A deep orange curving corridor and sparkling blue wall in the pool house are a nod to a traditional Mexican palette. Three skylights punctuate the space that houses a 60-foot-long lap pool.

The owners wanted the house to have public spaces for social events. The dramatic, open foyer and entry create a seamless experience for visitors as they journey from exterior to interior. Exterior limestone is repeated in the flooring, with contrasting darker limestone stripes echoing the ceiling articulation. Mexican Tzalam wood is used for the custom-made doors, the spectacular interior bridge, and the interior wood floors.

Hope Ranch

January 28th, 2011
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The Cypres Sports Museum is a two part project consisting of the renovation and retrofitting of a 40,000 square foot existing office/retail building, of which 23,000 square feet will be converted to public museum space, and the development of 15,000 square feet of additional space, including 3,000 square feet devoted to an enclosed outdoor courtyard. Painting the existing 500-foot long building facade dark graphite unifies and neutralizes surface irregularities while establishing a prominent daytime character for the structure.

Against this neutralized background, the addition is the focal piece for the new museum’s identity in form and material. Subtly skewed angles play against the established grid and draw museum-goers toward the main entrance. At night, the translucent materiality of the addition allows it to glow from within and is punctuated by the back-lit display cases that appear to hover as the darkly painted building dissolves into the darkness. The elongated site is transformed into a cohesive destination for the public display of the client’s extensive collection of sports memorabilia — argued to be the largest private collection of its kind in the country.

Cypres Sports Museum

January 24th, 2011
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This project, located in the historic Lincoln Heights district of downtown Los Angeles is a complex of lofts for artists and design professionals. The client was interested in reviving underutilized and undervalued parts of the city, as well as, capitalizing on the aesthetics of urban decay. The client owns a steel fabrication company and was interested in reusing steel elements and structural components from the site and the surrounding area to be incorporated into the building complex. Because these lofts are intended to be functional spaces for artists and designers, rather than lifestyle lofts, they were not overly renovated or designed. Shubin + Donaldson worked on creating clear and direct floor plans for each loft and a series of insertions into the exterior walls of the buildings, such as window elements and trellises.

Newport Boats is a very successful boat and watercraft retailer.
Digital imaging facilitated the initial design development of this 25,000-square-foot ground up boat dealership. This efficiency was evident throughout all phases of the project. The final structure was completed and ready for use in record time.

The VIP Villa is 3,632 square meters on a 17,695 square meter site. The extensive site features and amenities include a formal entry drive court, tennis court and pavilion, heliport, large reflecting pool, beach pavilion, and dock. A separate service court has been provided for service and delivery. The site has been scaled to provide ample space around the home for landscaping.

The clustered stone volumes of the VIP Villa are organized about a grand formal entry courtyard which features a large water element initiating the axial movement into the home. The experience of the main house begins through an entry gallery which surrounds an inner landscaped courtyard. Movement flows through to the formal majlis space which overlooks a reflecting pool and the ocean beyond. To either side of the entry gallery are public spaces including a receiving room, women’s majlis, formal dining room, office, music room, library and powder rooms.

Components of the design branch from the central axis creating the opportunity for secondary and more private courtyards/internal patio spaces. A larger diversity of views is also maximized, in creating the possibility for outward as well as inward perspectives. Water features located around and within the home, conceptually link the plan layout as well as offer a visual tranquility throughout the home.

The combination of simple forms and clarity of layout are attenuated by the use of environmentally conscious and resource responsive materials and systems. Generous expanses of glass are shaded by large overhangs or are shaded by an operable screen. A large solar collection array is planned for the roof areas, as well as a geothermal loop to aid in cooling.

Shubin + Donaldson used this sustainably-minded project to prove that a green home can have both beautiful design and rigorous environmental aspirations, without making compromises on wither front. They saw this project as a template for designing and participating in a project where you actively engage with the house as you live in it; where the architecture is tuned to the changing environment, weather and sun position by its occupants.

They harnessed both natural and technological forces to respond to the environment and to allow the house to perform properly; a photovoltaic array which generates more electricity than the house can consume to the strategic orientation of the building to capture prevailing winds and maximize day lighting.

A simpler way of life was desired by the clients and the house responds with a simple and direct parti that also instigated new forms of interaction and connectivity within their family; one large room for living, eating, making and talking. No TV!

Shubin + Donaldson was charged with renovating this 1949 Modernist house designed by the Los Angeles architect, Kenneth Lind. The original house was a long box elevated on steel columns and beams with one end set into the hillside with a garden underneath. The long south-facing side of the house was glazed floor to ceiling, opening up each room to the side yard and pool. The goals of the renovation were to add square footage to the house and to update its finishes.

The ground floor was in filled with a kitchen, bathroom, and dining area, and the carport was transformed into the living room. This allowed the second floor to be dedicated to the master suite, bedrooms, and an informal lounge. In order to make a subtle connection between the interior and exterior of the house, many of the rooms were painted with colors derived from the surrounding Eucalyptus trees. The client describes the resulting renovation as a “connected house. It is intimate… you know where everyone is, and every room spills out to the exterior, either physically or visually.”

This residence is both a place for living and a place to hang art. Large windows and apertures flood the interior with light while the outside landscaping also acts as a container for sculpture.

The forms are minimized to create pure spaces and clean lines. This home-as-art gallery is distinguished by monumental geometric concrete forms. The 11,000-square-foot structure boasts few walls, giving open expanses augmented by 15 to 22 foot ceilings and 13 foot windows. Exterior materials include concrete, zinc, and minimal, but effective landscaping.

This warm modern house in Beverly Hills reflects its complex site and context. The house sits on a corner site and is comprised of simple stone and stucco masses with refined mahogany details. The organization of these masses work to de-emphasize the boundaries between interior and exterior living. The back side of the house is open to the pool, patios, cabana, and garden. The street sides of the house address the need for privacy with simple abutting surfaces which are softened by the detailing materials. This contemporary home also contains a full media room, gym, wine cellar, 5 bedrooms, 6 bathrooms, and gallery.

The Urban residence emerged from the ashes of the Laguna Beach Fire of 1993. Using the opportunity to rebuild, the clients asked for something dramatic to be built on a tight, hillside lot overlooking Emerald Bay and the Pacific Ocean. Taking advantage of the sweeping 270-degree views of the ocean and coast, a home was created that meets the contrasting needs for formal luxury with laid-back beach living.

Built on a small, steep, down-slope lot, the design of the house was driven by the opportunities and limitations of the site. The 4,000-square-foot house, which is set on an angle to maximize the tight lot, is organized around a wall that stands in the middle of the house. This wall splits the house into communal and private living areas and allows for a vaulted ceiling that organizes the whole upper public area into one large space under a copper roof.

The challenge for Shubin + Donaldson was to design the main living area, kitchen, and master bedroom on the street level, with three bedrooms below. The owners were concerned that the lower level not feel like it was underground. Through large and small windows, they achieved cinematic views of Emerald Bay for all the rooms in the house and then designed the circulation to flow along the back retaining wall, thus all but eliminating the underground feeling.

The prize-winning horizon view is best captured when one enters through the main front door and then turns left into the living area for the seascape that explodes into vision. With all the rooms in the house having ocean views, the distinction between indoor and outdoor is blurred. Blue mosaic glass tile in the master bathroom contributes to the sea-filled ambiance with a long, narrow window focused on the ocean beyond. While the kitchen is on the hill side of the house, it still manages to provide the occupant with a view through a window that pops out from the side. Even the main floor powder room has a view.

A KalWall skylight fills the entry hall and stairwell with natural light down to the lower floor. The shoji screen effect of the KalWall material brings in a beautiful light quality and again minimizes the sense of being “underground” on the lower level.

While the Shubin + Donaldson needed to build in a certain formality, they picked up on the local color and light and used materials that will endure the harsh beach environment. The wood-frame structure with steel frame stands on a concrete slab with concrete retaining walls. Materials are fire resistant with plaster walls and a metal roof.

Shubin + Donaldson achieved an organic feeling of light, warmth, and openness through careful choice of materials and use of light and space in this kitchen and bathroom remodel.

Backlit, sandblasted-glass cabinet doors are set in dark-stained custom oak cabinetry, creating high contrast in the 17 x 22-square-foot kitchen. The ample, soft light casts a warm glow on the new Viking stainless-steel appliances. The wenge-like dark wood continued in a desk alcove, baseboard molding, picture frame, and door frame provides a rich contrast to pale oak floors and Cesarstone composite countertops and backsplash. (Less porous than limestone, Cesarstone was chosen for its durability in this high-use area.)

Removing the wall to the dining room opened up the space, giving it the feeling of a great room while at the same time allowing in additional outdoor light. An island with built-in wine cooler to accommodate the owners’ extensive wine collection offers an ingenious, multi-purpose space-saving solution and provides a seamless transition to the dining area. Diffused glass is used to obscure the bottles.

The master bath echoes the kitchen detailing. Rich contrast is again achieved through dark-stained oak cabinetry, framed mirrors and floating shelves juxtaposed against limestone floors and countertops. Durable, fire-etched glass windows adjacent to the bathtub allow the room to be flooded with natural light while providing necessary privacy. Fire-etched glass also encloses the toilet. An illusion of extra space and feeling of openness is created with a clear glass shower enclosure at one end and fire-etched glass doors at the other end that open up to a sitting room.

Shubin + Donaldson wanted to develop a relationship between the main house, which was designed in 1938 by a student at Frank Lloyd Wright’s Taliesin. Also in the Wrightian sense, it was aimed to relate the guest house to the natural surroundings, and nestled the structure within the existing grand old oak trees. Shubin + Donaldson, however, were interested in developing a contemporary interpretation of the ideas explored in the original design of the main house and wanted users to be able to distinguish the old from the new.

The new structure is a glass pavilion with a solid sandstone fireplace wall. The abundance of glass creates the blurring of outdoor and indoor, and opens up to mountains views to the north and ocean vistas to the south. The fireplace wall—a mix of materials of sandstones and board-formed concrete—is anchored by a 35-foot-long poured-in-place concrete plinth that extends beyond the glass borders of the house on either side to the outdoors. The living room is lined with a built-in clear Douglas fir wood bench, which doubles as storage. Windows are framed in industrial Cherokee-red steel sash casements, similar to the main house. Also as in the main house, the roof is copper, which is left to weather naturally.

The client, a former professional baseball player for the Japanese leagues and restaurateur, wanted to make sure his love for Japanese culture and cuisine manifested itself into his San Francisco Japanese restaurant and his Asian-influenced home.

The client desired a house that would maximize the amount of livable space while maintaining a usable backyard and pool, all with hints of an Eastern aesthetic. The client did not want the home to loom as a monolith above the surrounding neighborhood.

To establish an unobtrusive streetscape presence, Shubin + Donaldson took advantage of the downward sloping nature of the land. From the street, the residence appears to be a two-story structure, but the rear view reveals a spacious three-story, terraced home with full-length glass windows and doors that look onto the pool.

To impart a Japanese elegance, fine craftsmanship, reminiscent of seamless, fitted Japanese woodworking and various combinations of Asian-origin hardwoods are used throughout this ground-up construction. Rows of stained-teak planks with steel create railings, shades, gates, and fences on the exterior and interior of the house. Planks are meticulously joined at corners, appearing nearly seamless. Asian hardwoods also compose the stairs, ceilings, and floors of various interior locales. At the staircase, a shoji screen back window curves into a skylight, blurring the lines between wall and ceiling.

Shubin + Donaldson designed this home with a series of loft-like volumes under a butterfly roofline. A stepped building with a variety of decks and windows connects the home with its natural setting, vistas, and, of particular interest to the client, the local climate. The plinth entrance presents an almost solid face to the street and belies the greater transparency of the house on the view sides.

Each volume is defined by exterior material of smooth-trowel plaster or wood-slat siding, with Douglas fir trellises and accents. Aluminum-framed windows of varying sizes accent the profile and allow natural light into rooms and transition spaces. Collaboration with the client on design details played a significant role in design development, as the client is also the builder and millworker on his family’s home.

The communal and living spaces are gathered in an open plan on the top level of the residence, where the views are most extensive. The private rooms are grouped on the ground floor in a more traditional plan. The expansive living and dining-kitchen areas flow into each other, separated only by a slight level change and the architect-designed fireplace of plaster, wood, and Lumasite.

Modern furniture in deep wood tones accent the Douglas fir interior beams. The kitchen combines cherry-wood cabinetry with variegated slate tiles. Niches on top display the client’s collection of hand-crafted ceramics. The architects designed a dramatic staircase connecting the public and private areas with cherry and birch woods and steel cable sides. The two-toned wood effect is utilized as well in the kitchen and baths. Furnishings are modern, geometric, and monochromatic, which lends a clean, yet comfortable, look and feel.

The value and reinterpretation of portions of this mid-century modern home outlined a design process for its renovation and subsequent addition; informing the newly added components by reference of existing qualities and detail, while conversely reinterpreting renovated features by elevation of modern standard. A large bright open living space opening towards the canyon view is a central feature in the home.  A newly integrated kitchen rendered in highly crafted walnut cabinetry compliments this open outward expression. 
 
The simple lines, expansive openings, authentic materials, and permeable flow from interior to exterior reinforce a clear and strong relationship of the home with its site.
 

Nestled in a coastal mountain valley overlooking the Pacific Ocean, embraces the casual lifestyle and environmental challenges of Southern California. Referred to by the client and architects as the “Trout Club,” it integrates a mix of materials that have been influenced by a valley renowned for its beauty and wildfires.

The 2,000-square-foot down-slope-facing residence was built on the footprint of a house that burned in the 1991 Painted Cave firestorm. Despite its relatively small size, the Trout Club creates the impression of a large compound through the arrangement of simple rectangular masses with sloping roof lines. Sage-color siding and plaster colored in ochre-sandstone blend with the natural surroundings, while the “V”-shaped chimney top makes an overt gesture to the power of the canyon landscape. The house was commissioned by a young family of three who had a love of nature, and a desire for privacy on a small lot.

The main living area of the three-story residence opens out onto a timber deck looking south down the valley to the ocean and accommodates indoor/outdoor life. Large picture windows provide the main space with mountain views to the north, and glass-block panels in the bathroom allow light to cascade in. An airy feeling in the below-grade bedrooms is achieved through the use of clerestory windows that light the stairwell down into the lower floor.

Privacy in the master bedroom is fulfilled through a floor-to-ceiling trellis wall that conceals an external stairway and access to the timber deck with views of the city and ocean below. The trellis wall also provides support for fire-resistant climbing vines that will eventually bring the landscape up to living area level and lessen the building’s visual impact on the natural environment.

Working with a budget of $100 per square foot, Shubin + Donaldson proposed the use of modest materials in creative ways. The inevitability of wildfires raging down the canyon added another layer of material considerations. Fire-resistant cement board, steel, and timber intersect on the exterior surfaces and contribute to the village-like effect. The architects’ sensitive use of materials both inside and out was also influenced by the turn-of-the-century community of eclectic wooden fishing cabins located nearby.

“Environmental considerations were very important to this client, “ says Shubin. “Some sacrifice to functionality was made up for in her mind as long as it was a product from the earth.” Thus slate countertops in the kitchen were selected and the stone mantels surrounding the fireplace were taken from the site. Flooring throughout the residence is marmoleum, an ecologically sound material.

The Firestone mixed-use complex comprises 18,000 square feet of ground-floor retail/commercial space and nearly 60,000 square feet of residential space located on the second and third floors. Shubin + Donaldson was responsible for the integration of commercial and residential spaces, as well as the residential design, while another architect designed the retail portion.

The complex fronts a bustling commercial boulevard, which is juxtaposed with calm residential streets bordering the property’s backside. A central courtyard—a warm and inviting space for retailers and residents—serves as the building’s centerpiece around which 47 town home units are stacked on two floors. A contemporary design language fuses the retail and living spaces, all the while distinguishing their separate functions with contrasting scale and materials. The ground-level shops are a dominant mix of continuous glass and cement panels, while the residential units evoke a softer look through the interplay of various heights, segment shapes, and stucco colorations.